My 3rd DDR Project vid, this time a collaboration with AMV editor Gambitt.

Colourful, silly, celebration of dance vid.

Filling in for a multi-editor project again. This time giving me an excuse to vid Noiseman.

I guess a critique of the eroticisation of children in anime wasn't what the project coordinated wanted for The Children Project's last track.

Noriko's coming of age story told with giant robots and incredibly cheesy 80s synth. Pretty great, tbh.

The video I edited at Iron Chef, in 2 hours, with a program I'd never used before. It was hell and I didn't know the source footage well enough.

A parody video made for a panel at Anime Weekend Atlanta about the preparations for that year's Iron Chef contest.

Essentially a rewrite of an excellent but rare short animated feature, this video was made to show off this gorgeous footage and uses pretty much every scene from the anime. Didn't expect this to be so successful.

First and last time I used 3D models in a vid. This was painful to make and it took a seriously long time too. The result was fun though and at least I can say I've tried making 3D and made something enjoyable.

This video was commissioned by ADV for their DVD release of the anime Noir. No special effects or distinctive digital manipulations could be used and no changes to the song choice or cut.

Another gap filler for a multi-editor project. They don't get much shorter than this.

Part two of the Dinosaur Studios pretence. Works really well in a big audience.

Made as a joke. Deliberately pretentious attempt at baiting comments using sockpuppets. This is the film noir one.

Ill-fated teen romance and dreamland melodrama abound.

A critique of Rintaro's Metropolis and my first experiment with After Effects.

It makes sense if you know the show, honestly.

Really makes no sense without having seen both shows used.

I was asked at the last minute to do this particular track on the 2nd DDR Project. I agreed.

This video is a character profile of two characters from animations directed by Hideaki Anno done in the style of his post-Nadia work. As such, it's very stylised and not to everyone's taste. Despite being essentially an experimental video, it was very well received and is one of my favourites.

This is the video that got me known among anime music video creators and it's something of an anthem video for me. FLCL is in my mind one of the finest Psychotronic works and this was a chance for me to play with its themes and have a lot of fun.

Made as a wedding gift for Marco and Christina of Turboneko Studios.

Made for an instructional panel on making music videos at MinamiCon 2002 and hence contains a lot of techniques which may or may not be appropriate for this video.

While doing various fansubs, I decided to give some visuals to the Evangelion Audio Drama. The translation was readily available on the internet but it was much more fun to watch it the way you would an episode. So using some really rudimentary Photoshop, I made effectively a slide show for the audio drama.

Kare Kano (as it is known) is such fun to make videos with due to the massive amounts of visual comedy. I later remastered this one a tiny tiny bit and added some, not particularly necessary, fancy additions and tweaked the timing a touch. Still a video I enjoy but technically flawed in many ways.

My first amv. Vaguely about the 'Wired' addiction in Serial Experiments Lain. Made to test out a Pinnacle DC30 capture card that we were using for fansubbing.