one word and it's over

for Voleuse with special thanks to Eunice and Big Big Truck

Louder than they allow, allow

for Gwyn

Things that bother you, never bother me!

The criminal hi-jinx of the rebel scum. For colls, Festivids 2011/12

For SDWolfpup, Festivids 2011/12

For Gianduja Kiss, Festivids 2011/12

You live for the fight when it's all that you got.

Made during Festivids 2011/12 for fan_eunice.

Made during Festivids 2011/12 for stephantom

The best part of your life.

Listen, let me ask you a question. You ever fuck a mutant?

Ohana.

Growing-up, imagination, friendship, making fun stuff.

brothersbloodcomradespartnerfamilycuzz

My interpretation of the canon of 'Firefly' told through bluegrass covers of Radiohead songs.

Scarlett O'Hara, proto-feminist? manipulator? tragic lovesick fool? Caution: blind appropriation causes unintended but entirely predictable race issues.

Made for the Vividcon 2006 auction for Par Avion, a simple look at some role-model female TV characters.

Sam Tyler is lost and confused in some distant pop culture nightmare.

A short parody made one lazy morning.

Buddy nee Syndrome.

Tribal homo-eroticism, war and paranoia. Kurtz throws a hell of a party.

Made during Vividcon 2005 for the Lord King Bad Vid party.

A visual canon of exploitation movie revenge.

Oh Dae-su's revenge fantasy.

Coming of age nostalgia found within a surprisingly enchanting Miike movie.

I tried but ultimately this vid was just plain boring. Oh well.

My 3rd DDR Project vid, this time a collaboration with AMV editor Gambitt.

Colourful, silly, celebration of dance vid.

Filling in for a multi-editor project again. This time giving me an excuse to vid Noiseman.

Noticing that Ariel was, effectively, an anime Magical Girl I made this vid to the 3rd Cardcaptor Sakura opening.

I guess a critique of the eroticisation of children in anime wasn't what the project coordinated wanted for The Children Project's last track.

Noriko's coming of age story told with giant robots and incredibly cheesy 80s synth. Pretty great, tbh.

The video I edited at Iron Chef, in 2 hours, with a program I'd never used before. It was hell and I didn't know the source footage well enough.

A parody video made for a panel at Anime Weekend Atlanta about the preparations for that year's Iron Chef contest.

The first live action video. Very static editing-wise, really just a collection of colours and nicely framed character shots.

Essentially a rewrite of an excellent but rare short animated feature, this video was made to show off this gorgeous footage and uses pretty much every scene from the anime. Didn't expect this to be so successful.

First and last time I used 3D models in a vid. This was painful to make and it took a seriously long time too. The result was fun though and at least I can say I've tried making 3D and made something enjoyable.

This video was commissioned by ADV for their DVD release of the anime Noir. No special effects or distinctive digital manipulations could be used and no changes to the song choice or cut.

I had this video planned for ages and when I finally got around to making it I missed the Otakon deadline. Oh well, it went to AWA and was a big success!

Another gap filler for a multi-editor project. They don't get much shorter than this.

Part two of the Dinosaur Studios pretence. Works really well in a big audience.

Made as a joke. Deliberately pretentious attempt at baiting comments using sockpuppets. This is the film noir one.

Ill-fated teen romance and dreamland melodrama abound.

Another situation where I was helping out a multi editor project. This time to a 4 minute song about Donald Duck. Ugh.

A critique of Rintaro's Metropolis and my first experiment with After Effects.

It makes sense if you know the show, honestly.

Really makes no sense without having seen both shows used.

I was asked at the last minute to do this particular track on the 2nd DDR Project. I agreed.

This video is a character profile of two characters from animations directed by Hideaki Anno done in the style of his post-Nadia work. As such, it's very stylised and not to everyone's taste. Despite being essentially an experimental video, it was very well received and is one of my favourites.

Created for the Mindwarp Entertainment Awards: Adult Video category so there would be enough entries to make it a valid category. I still laugh at the last clip. As in the show, very pantomime humour.

This is the video that got me known among anime music video creators and it's something of an anthem video for me. FLCL is in my mind one of the finest Psychotronic works and this was a chance for me to play with its themes and have a lot of fun.

Made as a wedding gift for Marco and Christina of Turboneko Studios.

Made for an instructional panel on making music videos at MinamiCon 2002 and hence contains a lot of techniques which may or may not be appropriate for this video.

While doing various fansubs, I decided to give some visuals to the Evangelion Audio Drama. The translation was readily available on the internet but it was much more fun to watch it the way you would an episode. So using some really rudimentary Photoshop, I made effectively a slide show for the audio drama.

Kare Kano (as it is known) is such fun to make videos with due to the massive amounts of visual comedy. I later remastered this one a tiny tiny bit and added some, not particularly necessary, fancy additions and tweaked the timing a touch. Still a video I enjoy but technically flawed in many ways.

My first amv. Vaguely about the 'Wired' addiction in Serial Experiments Lain. Made to test out a Pinnacle DC30 capture card that we were using for fansubbing.